Friday, 24 July 2026

Cupboard Love

There’s nothing like a cupboard

to deposit all your stuff,

like sausages and sandwiches

and tangled balls of fluff,


plus slugs and scraps of paper

you discovered on the street – 

just chuck them in your cupboard

and the mission is complete.


There’s nothing like a cupboard

to secrete those treasured goodies,

like sweaty socks and undies

and a heap of unwashed hoodies.


For all the bits you’ve gathered,

when your space has been exceeded,

a little extra room’s a must – 

a cupboard’s what is needed.


There’s nothing like a cupboard

to secure that precious stash

of cartons of rice pudding

you recovered from the trash.


I love my trusty cupboard

and it cannot be denied,

so stick a clothes-peg on your nose

and take a peak inside.


Joshua Seigal


Tuesday, 21 July 2026

Lenny Won't Walk

Lenny won’t walk

when you put on his lead. 

It’s against his beliefs. 

It conflicts with his creed. 


You can offer him treats. 

You can tempt and cajole. 

He won’t go for an amble,

a jaunt or a stroll. 


Lenny won’t walk 

if you beg and you plea.

He just sits on the pavement

or goes for a wee. 


You can bellow and urge

and beseech and solicit – 

a stubborn refusal 

is always explicit. 


It’s really no use 

if you holler or squawk.

No, it’s best to give up

because Lenny won’t walk.


Joshua Seigal


Monday, 20 July 2026

Exact Replica

after Arnold Zuboff 


They made an exact replica of my wife.

Cell for cell, precisely duplicated.

It had all the same memories, hopes, desires.

It had all the same quirks, dreams, regrets.


It knew me by name.

And as I heard it rattling the doorknob,

trying hard to get in,

calling out for me, I held your hand.


Brain-blank and spine-shot,

your soft hand in mine,

the both of us encased

in the white walls of the hospital.


For Better or Worse, I promised.


The You is the Love that persists.


Joshua Seigal 


Wednesday, 15 July 2026

The Book-Child

You spend your days and nights shaping it into

something approaching perfection. Or, if not perfection,

helping it live up to its potential – an extra comma


here, a colon there, maybe a sentence or two to be deleted. 

This thing means something. It’s part of you. You wake up

at 4am – has it transmogrified without your knowledge?


You open up the document and give it another read.

It’s just as you left it. Back to bed. Come the morning

you know its safe, sleeping soundly in its little folder.


But potential means the big wide world, that frisson of

getting older. Maybe others won’t gift it quite the same love,

won’t understand it as you do, won’t see it as worthy of


quite the same stakes. That’s the risk you have to take. 

You can’t keep your baby at home forever. You have to

let paper wings fly. You have to kiss them goodbye.


Joshua Seigal 


Tuesday, 14 July 2026

On Making Money (Or Not)

Since the beginning of this year, I have been working extremely hard on a project which I know will never make me any money. I have been continuing to visit schools and run workshops, which does make money, and thus I have been able to keep up a decent income. But the lion's share of my creative endeavours have been going towards a project which, almost certainly, will reap zero pecuniary benefit. 

The project in question is a pamphlet of poems aimed at adults. Since 2016, I have been lucky enough to have had seven books of children's poetry published by Bloomsbury, and two by HarperCollins. Whilst my author's cut of the profits from these books is not what it should be -- such is the case for all authors -- I nonetheless get a royalty cheque twice a year, and am able to buy copies of my books myself at a hefty discount, and thus make a profit when I sell them during school visits. Therefore, when working on these books, I know that there will be money in it for me. It's not that I am even thinking about this when I write, but I am in a different position to that which I now find myself in. 

Why do I know my project won't make me any money? Because poetry aimed at grown ups doesn't sell well, for one. Even very accomplished poets don't make money from their books, they make it from their other pursuits, which in the world of 'grown up' poetry is mostly teaching, lecturing, or some other kind of day job. And this is the well known poets. In the world of grown up poetry, I am a complete nobody. I was extremely fortunate to have had a poem published in Poetry Wales magazine in 2023, and this is no small feat (you can read the poem here, and I've made it prominent on the right of this blog, under the 'Featured Post' heading). This poem will hopefully form the backbone of my forthcoming collection. But I am far from the sort of name the casual browser would ever think to pluck off the bookshelf. No: if my pamphlet ever sees the light of day with a publisher, I am unlikely to see my bank balance rise, even slightly, as a result of it. And that's if it ever gets published, which it might well not.

The other week, my mum asked what I was working on, and I told her about my pamphlet. I do not come from an artistic family. Her primary concern was when, how, and indeed whether this would make any money. I said it would not, ever, even if I strike lucky with publication someday. She was confused: why on earth would I be doing such a thing? Why would I spend my time on this? My somewhat frivolous response was that Van Gogh never sold a single painting during his lifetime, and that didn't stop him. My mum wasn't particularly impressed.

So why am I doing it? Why am I spending all this time and energy on something which, even under the most optimistic of scenarios, will not make me any cashish? Reader, my answer will sound incredibly pretentious. I am doing it for the Art. I am simply following the current of where my artistic inspiration is taking me. For perhaps the first time in my life, I am feeling like a Real Artist, creating something for no other reason than because it is art. Paradoxically, the knowledge that it won't make any money makes me feel even more of an artist, and helps me pour even more passion into this project. It feels like the most meaningful thing I have ever done. All my writing feels meaningful to me, but this does more than anything else, because I know everything else also has a business element to it. I just hope I don't come to regret spending my time in this way, when the bills heap up.

A little preview: the pamphlet is called The Relationship Expert (ironic, or is it??), and features autobiographical poems and one or two surreal ones as well. A few of the pieces have already been published, and a few have appeared on this blog. Stay tuned. This is now the end of this blog post, and as I look at the clock I realised I have just spent an hour on another thing which I know will never make me any money. 

Sunday, 12 July 2026

The Science

Then the ROCD latched onto percentages,

correlations, success rates. I began to think

of compatibility as something out there, to be


discovered. I looked up the tests they say

they have, found Wilson and Eysenck –

all of that crap. Did we have what it takes?


Are we doing it right? What does it say 

in the books? What does it say online?

A million hotshots with a million bright ideas – 


the stupid ones die off; the fittest survive.

Am I stupid? What did Finkel write?

Is this an equation, and have we been cracked?


Joshua Seigal


Thursday, 9 July 2026

Cats and Cats and Cats!

I don’t want a book

about lions or dogs;

I don’t want a book

about rabbits or frogs;

I don’t want a book

about badgers or bats – 

I just want a book

about CATS!


I don’t want a book 

about windows or doors;

I don’t want a book

about tables or floors;

I don’t want a book

about T-shirts or hats – 

I just want a book

about CATS!


I don’t want a book

about hamster or horses,

or heather, or ivy,

or poppies or gorses,

or hedgehogs or hillocks

or rivers or rats – 

I just want a book

about CATS!


I don’t want a book

about anything silly,

or soppy or slimy 

or filthy or frilly;

I’m feelin' fine feline 

felicitous tracts – 

yes give me a book

about CATS!!!


Joshua Seigal

Tuesday, 7 July 2026

Is It Safe Yet?

I’ve not checked the news for five minutes,

so I can’t be sure. Best check again. Better yet,

ask ChatGPT if there’s been any updates – 


what’s the latest situation in Iran, Russia, the USA?

Has the nuclear risk increased?

Can I please have a percentage likelihood, please?


It haunts me in the night. I wake up at five,

shuffle into the room next door,

and – bleary eyed – I check my phone…


My therapist says this is a form of self harm:

I think it makes me safer but the opposite is true – 

the greatest danger is that which I pose


to myself. Not the tanks or the bombs. Not here

in England. (How lucky I am to live here.)

I’ve not checked the news for five minutes. 


I’ve been writing this poem and I haven’t checked. 

Is this a win? Is this a small victory?

I put down the pen. What will I do next?


Joshua Seigal 


Tuesday, 30 June 2026

Fire Hazard

An electrician came

to look behind the fridge-freezer

and said it was a fire hazard.

The wiring wasn’t done correctly.

For ten years I’ve been living in this flat

and the whole time there it was –

the fire hazard

waiting right in front of me.

And for forty years I’ve been living

in this world

with fire hazards everywhere.

Most of the rooms around here

don’t have windows

to escape from

and jump out of any window

and you simply land face-flat

in dry kindling anyway.

The floors are a fire hazard.

The walls are a fire hazard.

That line that separates

the land from the sky

is really a wire leading to a box of TNT.

The whole place is ready to blow.

I look at the moon

out the window at night,

casting faint light across the trees

in the park.

Come the morning

we’ll hear cries of abandon

from the swings and slides;

the quickening breath

of the crackling asphalt. 


Joshua Seigal


Thursday, 25 June 2026

Come and Look at Bluebell!

Lounging on the table top

Splayed out in a belly flop 

Pretty as a movie prop – 

Come and look at Bluebell!


Curled up in a little heap 

Smiling in the grip of sleep 

Snoozing soundly, nice and deep – 

Come and look at Bluebell!


Loafing on the windowsill

Like a lumpy-bumpy hill 

Grab that camera! Have your fill – 

Come and look at Bluebell!


Munching plastic, yum yum yum 

Naughty kitty! Bad for tum!

(Now she stops and licks her bum…)

Come and look at Bluebell!


Joshua Seigal




Wednesday, 24 June 2026

Album Recommendation - 'Heartworms' by Whipping Boy

In Year 8, aged about thirteen, a friend lent me a copy of Nirvana's 'Nevermind'. I'd never heard any Nirvana before. About a minute into the album, I thought wow - this is one of the best things I have ever heard, and at the end of the opening song I was convinced that I had just heard the best song ever. Then the second song kicked in and it was somehow even better, or at least as good, and this feeling was maintained throughout the entirety of the album. I then went straight back to the beginning and listened to it all over again, and did this pretty solidly for about three or four years. Ever since then, I have never felt the same way about an album. Sure, there have been many albums I've loved, but not in the same way as 'Nevermind', where each song completely blew me away. Well, I've just had a comparable experience, and I'd like to share it. The band is Whipping Boy, and the album is 1995's 'Heartworms'. It's often cited as among the best Irish rock albums ever made, but the band never garnered even 100th of the attention they deserved. It's an incredible album, and I highly recommend that you give it a listen. Who knows, maybe one or two of you will have a similar transcental experience to mine. Here they are on Jools Holland, doing a similar thing to what Fontaines DC have gone on to do. Only Whipping Boy did it earlier, and better. Enjoy:



Wednesday, 17 June 2026

The Comedian

You’re about to go onstage

when she calls you up

to say her mum is sick. 


You’re about to go onstage

when you catch a glimpse of BBC News – 

Russia is going to test Article 5. 


You’re about to go onstage

when an urgent email from HMRC

hits your inbox. 


You’re about to go onstage

when you realise that everything

is so fragile, 


so insecure, so unsafe

that the only thing clasping the world together

is this moment – 


the faces that await you;

the lullabies

in their laughter.


Joshua Seigal


Thursday, 11 June 2026

Poems Published in Fabulous New Football Anthology

I am delighted to announce that I have no less than ELEVEN poems published in a fabulous new poetry anthology of football poems: 


Here is a little sample, inspired (unfortunately) by the team I support. No prizes for guessing who they are!


Everyone, do go online a buy the book!!!




Wednesday, 10 June 2026

On Writing a Poem About Parenthood

How can I write

a poem about parenthood?

they ask, incredulous.

I have never been a parent.

I have never brought up children.


No, I have never been a parent, I reply. 

But I have been a child. 


Joshua Seigal


Monday, 25 May 2026

Fun poems written by a teacher!

I recently received the following email from a teacher, containing both a very kind note of admiration for myself, and some lovely poems. I am pleased to be able to share the message, and I hope me readers enjoy the poems as much as I did. Do please follow the teacher-poet on Instagram - her handle is mentioned in the message below!


I’m a KS1/EYFS primary teacher and LOVE children’s poetry. I grew up reading Janet and Allan Ahlberg, Michael Rosen and Spike Milligan. I’ve introduced an annual poetry recital at school for the year 2s and they all performed a wonderful rendition of ‘I don’t like poetry.’ They all think it’s hilariously clever! 

I’ve just set up an instagram account called @poemsfortheyoungatheart. I’ve started uploading some of my poems. It’s on my bucket list to get a poem published one day so seemed a sensible place to start! 

They’re just silly ditties but would love to know what you think. There’s a few I’m going to try out on my class. 

Time to Line up!


It all started with a bell.

A lonely scuffle.

Then total hell! 


“Line up nicely!” The teacher cried. 

“Order! In rows. Side by side!


No pushing, no shoving, racing through. 

A line’s not hard. You know what to do.


You call this a line? It’s wiggly spaghetti! 

Oi! you there. Stop teasing Hetty!


Oh Honestly! I must implore! 

Stop that rolling on the floor! 


The bell has rung, The time is nigh! 

Stop that Sarah! You’re making Tom cry. 


Your shirt’s untucked. Your laces undone. 

You’re much too old. To be sucking your thumb! 


You all line up like babbling baboons! 

Jumping jelly beans! Loony Toons! 


Twenty ferrets In a vest,

A bear inside a hornets nest. 

I won’t give up! I don’t know how! 

YOU ALL NEED TO LINE UP RIGHT NOW!”


The playground froze. 


Then Joshua farted. 

And all went back to how they started. 


“I’m throwing the towel in. 

These kids should be free. 

I’m going in for a nice cuppa tea.” 

Nits (I actually wrote this when I was 10 but it’s a firm gross fave with my kids!)


“What’s that moving in your hair?”

My mother said to me.

“Come here. Let me have a closer look.

To see what it could be.”


It only took a little glance.

And some tugging at some bits.

I had caught the dreaded plague..

I had a head full of nits! 


All the instruments were in place

For the bug busting operation.

“Please sit still for another hour!

I need your cooperation!”


One by one the nits were pulled, 

And washed down the drain.

Goodbye my little friends.

But don’t come back again! 


When I’m Three 

I’m two years old.

But when I’m three 

Such a big boy 

I will be. 


I will be tall

Up to towering heights. 

I’ll turn all door knobs, 

Switch on all lights. 


I’ll use big scissors,

Cross the road.

Run cross the lawn, 

When it’s still being mowed. 


I’ll have big laces

On my shoes 

Pour my own milk

And watch the news. 


I’ll reach the biscuits,

Climb the tree. 

When I’m three,

There will be no stopping me!